A limiter is also a compressor but it is used to prevent audio levels from going higher than a specified point. It pulls the consonants down and pushes the vocal to the background. The ratio determines how much the volume is reduced by. To learn how to pull off this technique, watch the video below: Threshold and ratio determine how much compression is applied, and how aggressive it is. Again, in this case, you may want to track with compression. Usually, vocal sibilance occurs in the range of 3kHz to 8kHz. IF you have any setting or technique for finding the perfect vocal compression, add your comment and share that trick to other music producers. If the vocal’s volume drops down then adjust the makeup gain (input). Many bloggers will tell you what the “perfect” vocal compression settings are. So you should set attack time fast for vocals. How To Adjust Threshold and Ratio of Compressor for Vocals? While some compressors offer independent control over this parameter, others have fixed knees. On the other hand, if you have a lot of symbal in the beats, you can play with the release time to get more smooth symbal. Ideal Attack time setting – The ideal attack time for standard vocal formats is 10ms to 100ms. Slow release time will make the sound more natural and less processed then the 1st option. Let the answer be your guide, and you’ll remain on the right track. Ratio: 4:1–6:1. First set up the ratio 3:1 or 2:1. As a result, we get a balanced audio which is not possible with a Limiter. In all the audio effects, a compressor is the most confusing thing for us. This can help put a lid on vocals that need to be tightly controlled. This will be slower and designed to add character - a classic buss or desk compressor could be ideal. You can slow down the release time with folk, jazz, and. Slow it down. How To Nail The Perfect Threshold And Ratio: Sometimes, you can hear the compressor clamp down on a vocal when it hits the threshold. On the 1176 compressor, the Attack and Release knobs work backward from normal, he explains. 2:1 ratio indicates that a signal exceeding the threshold by 2 dB will be attenuated down to 1 dB above the threshold and vice versa. The main goal of using a limiter is to avoid clippings. By adjusting these 2 things we can control that how the compression work on the audio signal. I wish I could do that too. And of course, if you have a track recorded outside your studio, you must aware be aware that the song is recorded in other environment and gears. I this situation we can set attack time fast to emphasize the consonants of vocals. On the other hand, slower attack times will emphasize consonants. There are two options you can use according to the genre of your vocals.